During the 1950s the serenity in Swedish literature turns into a play with esthetics. The 50s is a time of freedom and contradictions. It’s pluralism, ironic romance and playfulness. Different strategies and voices are tried out. A new foundation for society after 2nd world war is sought. The young author is usually an academic who is practising the craftsmanship of creating literature. However, there is no “generation” of the 50s that steps forward. Authors to be mentioned are: Pär Rådström, Birgitta Trotzig, Willy Kyrklund, Sara Lidman and Lars Gyllensten.
The American New criticism is introduced in Sweden by the leading critic Bengt Holmqvist. Ezra Pound grows popular, Roland Barthes less read.
